Modernism as a Misnomer: Godard's Archeology of the Image

Auteurs-es

  • Gabriel Rockhill Villanova University

DOI :

https://doi.org/10.5195/jffp.2010.215

Résumé

"The standard historical image of Jean-Luc Godard is that of a resolute iconoclast breaking with the representational norms and codes of classical cinema in the name of liberating film from the deadening weight of its past. His numerous formal innovations—syncopated montage, unconventional framing, unique experiments with dialogue, etc.—along with his abandonment of traditional narrative and character development, his playful pastiche of genres, his debunking of the representational illusions of cinematic realism, his reflexive preoccupation with film itself and the general dissolution of the distinction between high and low art have created a potent new form of cinema that continues to have far-reaching effects. More experimental than Truffaut, more temerarious than Chabrol, but less fastidious than Resnais, less obtuse and prolix than Rivette, Godard is seen as the bumptious enfant terrible of the Cahiers du cinéma who set the agenda for a new era of modernist filmmaking..."

Biographie de l'auteur-e

Gabriel Rockhill, Villanova University

Gabriel Rockhill is Assistant Professor of Philosophy at Villanova University (Philadelphia), Directeur de programme at the Collège International de Philosophie in Paris and Chercheur associé at the Centre de Recherches sur les Arts et le Langage (CNRS/EHESS). He is the author of Logique de l’histoire: Pour une analytique des pratiques philosophiques (Éditions Hermann, 2010) and is currently completing a book entitled Radical History and the Politics of Art for Columbia University Press.  He co-edited and contributed to Politics of Culture and the Spirit of Critique: Dialogues (Columbia University Press, 2011), Jacques Rancière: History, Politics, Aesthetics (Duke University Press, 2009) and Technologies de contrôle dans la mondialisation: Enjeux politiques, éthiques et esthétiques (Editions Kimé, 2009). He also edited and translated Jacques Rancière’s The Politics of Aesthetics (Continuum Books, 2004) as well as Cornelius Castoriadis’s Postscript on Insignificance (Continuum Books, 2011).

Téléchargements

Publié-e

2010-01-28

Numéro

Vol. 18 No. 2 (2010): Godard and Philosophy

Rubrique

Articles

Licence


Authors who publish with this journal agree to the following terms:

    1. The Author retains copyright in the Work, where the term “Work” shall include all digital objects that may result in subsequent electronic publication or distribution.

    2. Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.

    3. The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons 4.0 License (Attribution-Noncommercial-No Derivative Works), or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:
      1. Attribution—other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;
      2. Noncommercial—other users (including Publisher) may not use this Work for commercial purposes;
      3. No Derivative Works—other users (including Publisher) may not alter, transform, or build upon this Work,with the understanding that any of the above conditions can be waived with permission from the Author and that where the Work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license.

    4. The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.

    5. Authors are permitted and encouraged to post online a pre-publication manuscript (but not the Publisher’s final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work. Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.

    6. Upon Publisher’s request, the Author agrees to furnish promptly to Publisher, at the Author’s own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.

    7. The Author represents and warrants that:

      1. the Work is the Author’s original work;
      2. the Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;
      3. the Work is not pending review or under consideration by another publisher;
      4. the Work has not previously been published;
      5. the Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; and
      6. the Work contains no libel, invasion of privacy, or other unlawful matter.
         
    8. The Author agrees to indemnify and hold Publisher harmless from Author’s breach of the representations and warranties contained in Paragraph 6 above, as well as any claim or proceeding relating to Publisher’s use and publication of any content contained in the Work, including third-party content.