Journal of French and Francophone Philosophy

To Grasp Praxis Subjectively

2023-08-11T16:30:39-04:00

This work argues that Simone Weil and Michel Henry appropriate two key insights from Marx—the critique of abstraction and the possibility of living labor—in order to philosophize subjectivity more actively. I place the two philosophers together because there is an uncanny similarity in their interpretations of Marx and specifically, in their use of his notion of praxis. The work begins with Weil’s and Henry’s criticism of philosophy for ignoring what is most human—praxis, or subjectivity. Following Marx’s First Thesis on Feuerbach, both argue that philosophy problematically abstracts subjectivity by objectifying it. In other words, philosophy too often identifies the subject as a thing that can be described, analyzed, and examined. Both assert that just as Capital deadens workers and their living laboring capacity, western philosophy is limited by various objectifications that function to deaden the individual, most notably a knowledge of consciousness. The two reject these objectifications and argue that Marx’s praxis offers another, more active, modality for considering subjectivity. The second half of this work focuses on what is unique to Weil and Henry: the suggestion that Marx’s living has not been adequately understood. Both suggest that Marx attends to praxis philosophically by creating a new method: one that emphasizes what Weil calls experiencing and Henry designates knowledge of life. Attending to this method provides the operative distinction in my work: the difference between a philosophy that objectifies by relying on a knowledge of consciousness and a philosophy that attends to experiencing and depends upon a knowledge of life. The key for Weil and Henry is that Marx attends to the active dimension of subjectivity: real, lived, existence. For both, praxis and living labor point to a singular dimension of subjectivity that is irreducible to objectification, generalization or even to theorizing. In the concluding section I discuss how both thinkers’ interpretations of Marx provide a different modality for philosophy: the possibility of considering subjectivity subjectively by focusing on cultures that foster knowledge of life and promote the singular dimension that is living labor.

A Merleau-Pontian Critique of Sartrean Philosophy of Negation

2023-07-06T06:07:52-04:00

The phenomenological ontologies of Sartre and Merleau-Ponty have often been discussed in comparison to one another. Often, a Merleau-Pontian critique of Sartre, based on subjectivity, has been given. In doing so, both Sartre’s and Merleau-Ponty’s views on freedom, facticity, the body, and the Other has been discussed in great detail. Despite all of this, however, not much emphasis has been given to their understanding of negativity in its relation to the construction of Self as the Being-in-the-world of human-reality. Accordingly, this article will focus on the relationship between subjectivity and negativity in Sartre and Merleau-Ponty with a specific emphasis on Merleau-Ponty’s critique of Sartre’s philosophy of negation. First, the article will expand on Sartre’s philosophy of negation and explain how he conceives the experience of nothingness as the foundation of subjectivity. Later, it will develop a Merleau-Pontian critique of Sartrean philosophy of negation (a) by claiming that Sartrean negativity degenerates into pure and absolute positive of the Cartesian duality, and most importantly, (b) by showing how Merleau-Ponty constructs a new dialectical ontology of Self, based on the world-as-me; a being that is seen as flesh.

The Divine Game Versus the Demonic Game

2024-10-28T13:56:07-04:00

In Difference and Repetition1 Deleuze sets out to critique the regime of representation and common sense by developing a new conception of difference and repetition in which difference and repetition become liberated from the coherence and continuity of a self or I.2 Difference in itself means that difference has become independent not only from representation, but also from an enduring or coherent self. Difference in itself and repetition in itself are the becoming different and the repetition of a fractured or dissolved self, which Deleuze relates to both a larval subject3 and to a simulacrum.4 In Difference and Repetition Deleuze defines both the concepts of larval subject and simulacrum through the multiplicities and differential relations of the realm of the virtual.5 However, they are not the same. A simulacrum defines a condition in which an entity has become transformed into pure appearance in which nothing appears. A simulacrum is no longer an entity, but only the illusion of an entity.6 This is distinct from the larval subject because the larval subject is an embryonic entity, an entity in the process of formation.7 Through an analysis of the conceptual relation and distinction between larval subject and simulacrum in the first part of the essay, I will reinterpret Deleuze as a philosopher of indifference and the impossibility of repetition, which is a critique on the common idea that Deleuze’s Difference and Repetition is a philosophy of pure difference and pure repetition. Also, I will argue that Deleuze did not just develop a transcendental empiricism (a metaphysics of process), but a philosophy of the universal in itself (which is the collapse of metaphysics). The universal in itself emerges when experience collapses and when the self-determination of entities has become impossible.

Contributor Information

2024-10-28T14:11:40-04:00

Contributor biographies for special issue Thinking with Glissant

Thinking with Glissant

2024-10-28T10:56:31-04:00

In Spring 2022, the Theory Center Reading Group at Indiana University- Bloomington was devoted to the work of Martinican writer and thinker Édouard Glissant. We focused on his Poetics of Relation (Poétique de la Relation 1990, English tr. 1997), while also engaging with the recently translatedTreatise on the Whole-World (Traité du Tout-Monde, 1996, English tr. 2020). An award-winning fiction and poetry writer, Glissant (1928-2011) is arguably the most influential Caribbean thinker of the 20th century, who over the course of his career developed a unique aesthetic and philosophical lexicon that has shaped the language and perspectives of successive generations of theorists in poststructuralism, postcolonialism, and globalization. His works cover virtually all genres and forms, from lyrical poetry to scholarly studies, from historical and experimental fiction to philosophical essays and political manifestos on topics as enduring and as urgent as slavery, racism, (neo)colonialism, creolization, and the “chaos-world.” Concepts such as opacity, Relation, “archipelagic” and “trembling” thinking, rhizomatic identity, and the “Whole-World” generated conversations with thinkers like Gilles Deleuze, Jacques Derrida, Derek Walcott, Abdelkebir Khatibi, Achille Mbembe and others. Moreover, Glissant and his late idea of the “entour” have also influenced a younger generation of scholars in environmental humanities, intermediality and visual arts, and alter-globalization. In 2020, the Glissant Translation Project started publishing Glissant’s works in English in a comprehensive manner, attesting to the growing interest in his work far beyond the confines of his native Antilles and a Francophone audience to readers across the globe.

From Antillanité to the Archipelagic

2024-10-28T11:15:58-04:00

The pervasive patterns of neocolonialism long at work in the Francophone Caribbean, whereby the islands have been overseas departments of France for over seventy-five years, operate through a strategic metropolitan praxis of prohibition and exclusion that has long undermined a functional framework that enables and valorizes local sociocultural self-affirmation. While France has effectively sought to efface Guadeloupean and Martinican discourses of nationalism by integrating them into an overarching metropolitan framework of domination of the Other and the disavowal of difference, carried out as part and parcel of a universalizing French policy of ethnopolitical homogeneity, the articulation of nationalist counterdiscourses and cartographies of resistance aimed at asserting the vibrancy and independence of a Franco-Caribbean identity have strategically shifted over time from the purely political to the domains of cultural identity and its corollaries of philosophy and performance.

Caribbean Confederations as Relationalities

2024-10-28T11:18:41-04:00

In this essay, I connect my work on Archipelago studies with Édouard Glissant’s notions of relationality and Caribbean confederations to formulate what I denominate as the erotics of archipelagic thinking. My main goal is to share my process of thinking with and through Glissant’s work to focus on a series of theoretical gestures that have allowed me to propose modes of reading literary depictions of Caribbean con/federations that go beyond the binary opposition between colonialism and nationalism. I am performing an exercise that I assign to my students when I teach the “Introduction to Critical Theory” course at the University of Miami. Instead of writing an essay with a short theoretical introduction followed by a detailed close reading of literary and cultural texts that illustrate a keyword or a theoretical insight, I conduct a methodological meditation in which I theorize the archipelagic as a form of relationality that configures an erotic imaginary beyond the nuclear family and towards affective networks. To think about the Caribbean as an archipelagic formation, I use my comparative work on the Antillean Confederation in the Hispanic Caribbean (1860-1898) and the West Indies Federation in the English Caribbean (1958-1962) as a historical context in which the region congealed as a network of locations “act[ing] in concert."

“Le dépassement réalisé d’une différence”

2024-10-28T11:30:09-04:00

“De l’information du poème” qui clôt la partie “Éléments” dans Poétique de la Relation, représente pour le lectorat habitué à l'écriture glissantienne un chapitre assez surprenant voire confondant tant au niveau de l’approche du sujet traité que de sa mise en forme rhétorique, car c’est autour de l’opposition entre poésie et informatique que démarre son propos.

Tout d’abord, on a l’impression que Glissant s'écarte des riches lieux- communs qui rythment et structurent sa pensée puisque, après quelques pages consacrées au baroque, son attention se tourne ici de manière apparemment aléatoire vers l'antagonisme entre les nouvelles technologies et le parangon de la création littéraire. L'intérêt de Glissant pour la science et les nouvelles technologies n’est certes pas une anomalie lorsque l’on considère l’ensemble de son œuvre puisque cette dernière est en effet bâtie sur un éclectisme quasi programmatique qui se manifeste à travers la pensée du rhizome et le droit à l'opacité. Cependant, la dichotomie entre “ces deux ordres de la connaissance, le poétique et le scientifique” sur laquelle repose l'hypothèse de ce court chapitre semble trancher avec la rhétorique relationnelle qui caractérise son approche. Le penseur semble même souscrire aux poncifs d’un discours d'époque réduisant la complexité des nouvelles technologies et la magnitude de leurs effets sur la société contemporaine à une simple série d’oppositions entre, d’une part, une culture humaniste qui rassemblerait une communauté en présence autour de la parole poétique menacée, et, d’autre part, le pouvoir aliénant de l’information transmise à travers des circuits non-relationnels, impersonnels, sans voix et sans visage.

A Modern Form of the Sacred

2024-10-28T11:34:24-04:00

Édouard Glissant’s Poetics of Relation is unlikely to strike most readers as a sacred text. True, the design of the 1997 English paperback edition hints at something mysterious within. The seventeenth century map on the cover, glowing green and only partially visible from the front, disrupts the geographic orientation a map might be expected to provide. The seeming clarity of the title, author, and translator, is likewise unsettled by their placement, suspended above the surrounding white expanse. Yet this trace of eeriness is easily dispelled by the physical book’s assertion of scholarly credentials. “Michigan,” the name of the university press publisher, prominent on the spine and back, also announces itself on the front cover, and the text on the back declares the book an aesthetic and political—but not sacred—project, with three blurbs praising the translator’s achievement and the author’s brilliance. The Library of Congress cataloguing information on the copyright page tells us that Poetics of Relation, Glissant’s third monograph, is first and foremost about his birthplace (Martinique--civilization, language, culture, nationalism, and literature of). Secondarily, according to the cataloguers, it is a book about the French connection (“6. Martinique—Dependency on France. 7. West Indies, French—Relations—France. 8. France—Relations—West Indies.”). Scholarly interpretations of Poetics of Relation are of course more expansive and exploratory than cataloguing’s brevity allows. Still, most who write about this strange and beautiful text focus on poetics and politics, with very few lingering over Glissant’s own claims about the importance of the sacred.

Glissant and the Politics of Coordination

2024-10-28T11:37:26-04:00

This is an ironic moment for Edouard Glissant’s growing community of readers. So many are discovering Glissant’s work for the first time, myself included, in part because a fervent commitment to a politics of recognition now dominates in many corners of the humanities. This is ironic largely because while the choice to engage with Glissant might be motivated by an all too generalized logic of recognition, to read Glissant is to learn about how the basic premises underpinning this logic are deeply misguided. The politics of recognition, as a term of art, after all, is built on the conceptual planks made available by the standardizing impulses of the nation-state form and capitalism combined. Glissant, on the other hand, is nothing if not a theorist calling fervently for a path forward that does not depend on the complicities found in the conceptual imperialism inherent to the bureaucratic standardizing practices that bolster both the nation-state and contemporary capitalism. Glissant calls instead for an approach that offers the philosophical building blocks for a politics of coordination, which is described in Patchell Markell’s book, Bound by Recognition (2003) as a politics of acknowledgement. This politics entails forgingan alternative approach to the self and other, to identity and place, and to social orders in general than what the politics of recognition espouses.

Ontological Magma

2024-10-28T11:40:47-04:00

Édouard Glissant undertakes a radical rethinking of ontology. The relations of creolization have key political and cultural consequences: they destabilize the Eurocentric foundations of knowledge; they affirm hybridity; they dislocate the colonial systems of power. Yet they also have another, perhaps even more consequential ambition. As Glissant says in Poetics of Relation, creolization contains an “attempt to get at Being.” Relation operates at the ontological level as a process of creation of a different constitution of being. Relation, which names the “new and original dimension allowing each person to be there and elsewhere,” the diffracted “totalité-monde,” the event by which “[t]he elementary reconstitutes itself absolutely,” brings forth an ontological autopoeisis and reframing of the world.